THE PREDATOR REVIEW


 From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race. 


Loosely connected to the events of the original, Arnold starring predecessors THE PREDATOR stars Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan Michael-Key, Olivia Munn, Thomas Jane, Alfie Allen and Sterling K Brown with THE PREDATOR directed and written by Shane Black. 

The most impressive aspect of Predator is the chemistry between the actors. For a first ensemble piece between the them they flow together seamless, almost as if they have been acting together for a good while. In addition to the chemistry the performances themselves are good. In particular, Boyd Holbrook continues to showcase himself as an actor. Ever since starring in NARCOS it feels as if he is one to watch. On another note the humour is really well done, and it is in this aspect where Shane Black really brings his talents to the table and injects his own brand of filmmaking. The humour is not wrote, or performed, in a cheesy or silly way. It all feels natural to the film. From the moment a number of the characters meet on the bus there is no awkwardness, with the script at that point flowing along at a nice rate.


                                                        Image result for the predator 2018
                                                        The film really manages to capture the chemistry
                                                        between the cast. One of its strengths.                             


THE PREDATOR has a good cast which all gel well together with a witty script. However, this is where the positive aspects of the script really end as for much of the movie it feels disjointed and stitched together. The only characters who undergo any form of development past the first act is Boyd Holbrook and Jacob Tremblay who plays his son. That said, we do learn to feel some connection to these two characters right up to the final scenes. The issue with the character development of the other characters is that they stay as we meet them. For people like Jane, Munn and Rhodes they really feel the full brunt of the script. Furthermore, it is worth mentioning Alfie Allen who is the biggest victim of the film. He suffers to such an extent that he may as well have not been in the movie as he is given next to nothing to work with.


Onto the disjointed aspects of the film. This is primarily associated with the 3rd act which feels like it is in a completely different movie compared to the first two acts. As we see the 3rd act Olivia Munn is completely side-lined despite having a pretty important role up to that point. However, the biggest issue is the completely ignored plot points that were being set up earlier in the film. A tonal clash almost exists between the two portions, the first two thirds feels more of a science fiction tone with horror elements mixed in. On the other hand the third act feels more action orientated, almost as if Shane Black was in fuck it mode. Of course the reshooting of the entire 3rd act played a huge role in this with 20th century Fox mandating these reshoots after poor test screenings. After leaving the film it is hard not to think how the movie would have shaped up with the original 3rd act which feels like it would have been more in line with the original vision. The plot points set up earlier in the movie like *MINOR SPOILER ALERT* the regeneration of the Predators exoskeletal is completely thrown out the window. Surely logic dictates it would have been more wise to keep the original 3rd act instead of crafting one that completely contrasts the rest of the movie. Furthermore, it would be remiss of me not to mentin Sterling K Brown who also suffers as a result of the reshoots. From the opening scenes he is set up as this villainous, shadowy figure but by the end he is completely undercut by the full-on action set piece that ensues.


The final issue that sticks out with THE PREDATOR is the tacked on ending which is a full on set up for the next movie which would have probably worked better as a post or mid credits scene. That said, I would like to see the sequel given it promises the full on military hunter vibe.
THE PREDATOR is not a terrible movie and has redeeming qualities. The use of its cast, action set pieces and humour. Not to mention the impressive CGI. The Predator ships look just as good compared to a Star Trek which is done for double the price. But as a cohesive movie THE PREDATOR is a much-flawed piece.




Score: 2.5/5

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