THE EQUALIZER 2 REVIEW (12A)




In recent years we have seen different types of action heroes. From John Wick to Ethan Hunt to Jason Bourne and even James Bond. However, Denzel Washington’s Robert McCall is a rawer character, one that is dependent not upon his brutal action sequences but his character. It would be remiss to simply call The Equalizer 2 an action film, it may very well be, but the dramatic element come to forefront more than many of the aforementioned. There is less than half a dozen real action set pieces and this does not hinder the film, if anything it enhances it. The Equaliser 2 is the most recent action movie to simply not be the latest action film. In fact, the film struggled when it was ‘simply’ an action film.


The Equalizer 2 follows Denzel’s Robert McCall as is he is called back into action after the loss of a friend close to him. Directed by the outstanding Antoine Fuqua who is starting to show himself to be a top director, hearing rumours he may direct an upcoming Marvel instalment is promising with Blade certainly a logical possibility. Though a large part of my mind hopes to see a sequel to The Equalizer 2 and to bring McCall’s story full circle. The Equalizer 2 is led by Denzel Washington and there are no superlatives left to describe that man, whatever the role is he gives 110%. Supported by Pedro Pascal, Ashton Sanders, Bill Pullman and Melissa Leo. The strong cast blends together a strong focus for the film to build upon. On the note of Pedro Pascal, he has become one of those actors who can be plugged into any movie to give a good, solid and often entertaining performance. Furthermore, he does so in a way that he never becomes a caricature of himself something which someone like Kevin Hart has slowly become.


                                               
Image result for the equalizer 2
                                                                    Washington and Pascal make for a great duo                              


The greatest strength of The Equalizer 2 is the character work that has been worked on with this remaining a constant from the opening scene to the closing scenes and there is particularly one heart-warming moment at the end that brings a tear to the eye. The unofficial father and son relationship between Denzel’s McCall and Ashton Sanders’ Miles is the heartbeat and the crux of the film. The way this relationship is struck up is done so in a small way but built upon in such a way that it becomes endearing. After McCall ‘rescues’ Miles a moment about life and the struggles it brings for the black community occurs, which would not look out of place in an Oscar winning drama let alone a summer action film.


The action is very well directed, at least in the first two acts. In that respect the 3rd act felt like a let-down on that part mainly due to the lack of action as the film feels like it is building up to a confrontation with the villain who in himself is only revealed towards the end of the 2nd act. The 3-act structure of the film feels seamless with each act representing a different tone of film starting off with more of a community drama as McCall goes around his daily life as a Lyft driver allowing the audience to the many different way he drives around, in particular one character called ‘Sam’ has a through line throughout the film. As the ‘incident’ happens the film becomes more a Spy piece, very reminiscent, to the Mission Impossible films in that McCall has to piece together the events and the culprit. It is only as we enter the final half hour that the film becomes an action film though still restrained in that respect.


Being released in the summer amongst the usual blockbusters I would wholly recommend The Equalizer 2. It is not the same sort of action film that we have been accustomed to seeing, and despite its imperfections, it is well worth seeing. I would much rather see more films of this type than the upcoming Mile 22. The drama, inventive action and intriguing but flawed characters makes this a worthy sequel.


The Equalizer 2 can currently be seen in cinemas nationwide.


Rating: 3.5/5  

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